Blog Archives

Otaku in Review Podcast – E3 2010

Jon & Scott talk about E3, the biggest video game event in the US. We discuss our impressions with Sony and Nintendo… and that other game company

Check the links below to see what anime news, games, and shows we also discussed on this episode.

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JanaiBlog Editorial: The Sub-Only Debate, and Why Dub Fans are Upset

Dubs. Some people hate them, some people love them. In my time as an anime fan, I’ve gone both ways. There are some dubs that I absolutely love and some that I absolutely despise. But the term “dub” seems to be becoming more and more obsolete in the anime industry these days. In these tough times, some companies are releasing their DVDs in a “sub-only” format. Simply put, these DVDs have only Japanese audio, with English subtitles. No English dub. I, for one, have had very mixed feelings on the matter.

I’m a person who enjoys good dubs, and I actually prefer to watch anime in English as long as the dub is good. So naturally, seeing a blog post like this one got me very worked up. The author’s harsh choice of words in the last paragraph agitated me quite a bit:

[Dub fans] believe every anime should be dubbed in English. Oh please. These people need a reality check. Badly. Dub fans still have Funimation, Viz and Media Blasters to rely on for dubs, but how long can they really take on the financial losses? Get a dose of reality English dub fans, because at this point, you should be looking for a new hobby or adapt to the changing market. You don’t get what you want anymore. Got that? Good.

I feel this paragraph would have been better supported by factual statements about the industry, rather than by outright attacking dub fans. Anyone who feels the same way as the original poster of this article needs to understand how we, as dub fans, feel.

Us dub fans are the ones who have been supporting the anime industry for years.  We buy the DVDs, many times just for the dub. We’re not the people who simply download a fansub, watch it, and then say goodbye to a series. We buy the DVDs because we want what the fansubs can’t offer, and that’s an English dub.

Now, I understand that we are in tough times. I also do realize that at this point, this is the only option for some companies. But you have to understand that the Anime companies’decisions to offer DVDs in a sub-only format frustrates us a bit.

Now, I do not expect every anime to get a dub. In fact there are many shows that don’t deserve a dub. But there are also many shows that do, and those are the ones I’m upset about. It’s insulting to me as a fan, and is an insult to the shows themselves to not dub them. I’m talking, of course, about Hayate the Combat Butler, Kannagi, and Clannad. These shows were immensely popular in Japan and among English-speaking fans as well, so naturally I expected that they would be getting a dub. When I first heard that Hayate was licensed, I was ecstatic because I always wanted an English dub of that show, plus I know that Bandai tends to do very good dubs. So of course, when I heard the news that Hayate was going to be sub-only, I couldn’t help but feel betrayed.

I have religiously supported Bandai throughout the past few years. I’ve bought every single Limited Edition volume of Haruhi, Lucky Star, and Gurren Lagann and spent hundreds upon hundreds of dollars in doing so. Hearing the news about Hayate and Kannagi was like a dagger to the throat. I felt “Gee, this is the thanks I get? F— you, Bandai.” Of course, I’ve calmed down since then, as that was only my initial response. Still, the damage was done, and my loyalty to Bandai has been shattered.

So when you see these angry posters on the ANN forums raging about how they can’t stand all these sub-only releases, this is why. It’s not that us dub fans don’t understand why the companies are doing this. It is simply the fact that it frustrates us that so many great series’are being “wasted” through a sub-only release.

The solution? Well, there is none. It sucks, and we just have to deal with it. But please at least understand how we feel. I just hope that once the anime companies get back on their feet, we’ll see the revival of dubs. Ideally, I really want these companies to go back and do dubs for the aforementioned shows, because they really deserve it.

The Sub-Only Debate, and Why Dub Fans are Upset

Dubs. Some people hate them, some people love them. In my time as an anime fan, I’ve gone both ways. There are some dubs that I absolutely love and some that I absolutely despise. But the term “dub” seems to be becoming more and more obsolete in the anime industry these days. In these tough times, some companies are releasing their DVDs in a “sub-only” format. Simply put, these DVDs have only Japanese audio, with English subtitles. No English dub. I, for one, have had very mixed feelings on the matter.

Read the rest of this entry

The ConBlog: Otakon 2009

As always, Otakorp, Inc. put together an amazing Otakon this year. I had a blast and did loads of stuff. I also bought loads of stuff. But for now, the highlights!

  • Panels:
    • No Means No Defense Against Fanboys & Fangirls – At this panel they discussed what to do if a creepy stalkerish person latches onto you throughout the whole convention. Some people even shared their own personal stories. Biggest lesson learned: Do NOT give out your phone number!
    • Kannagi Focus Panel – On the schedule this was labeled as “Aniplex TBA Panel” but everyone pretty much figured out (after the announcement on Thursday about Kannagi being licensed) that it was about Kannagi. Director Yutaka Yamamoto made an appearance and we had a Q&A. There were also some great Kannagi cosplayers there, who did the famous dance.

      yutaka_kannagi

      Yutaka Yamamoto, Bandai staff, and Kannagi cosplayers

    • Aniplex Panel – In addition to Kannagi, Aniplex also discussed some other titles of theirs (some of which haven’t been licensed for North America yet), including Fullmetal Alchemist: Brotherhood, Kara no Kyoukai – The Garden of Sinners, and Cencoroll. There was also a Q&A.
    • Whose Line Is It Anime – I don’t think I need to explain what this was. It was hilarious, but not as good as what was at Anime Boston (there they had voice actors do it).
      whose_line

      Crazy stuff was going down here

    • FUNimation Industry Panel – FUNimation’s Adam Sheehan once again delivered an excellent panel, full of great previews of upcoming FUNimation titles and some exciting new announcements, including Eden of the East, Casshern Sins, and the Dragonball Z Dragon Box. I was kinda hoping for Toradora!… but you can’t win ‘em all.

      funimation_adam

      Adam Sheehan starts off the FUNimation panel

    • How To Heckle Bad Anime Good – A hilarious panel. They discussed how to heckle bad anime, bad cosplayers, and bad panels. The main speaker during the panel was very funny and energetic, which made the whole thing really enjoyable.

      good_dub

      "Good Dub Bad Dub", a slide from the panel

    • Anime Press Your Luck – Loads of fun. The crowd was really into it here, and there were some really exciting moments. The crew that ran this panel did a really great job. The host really needs to learn how to properly pronounce Japanese names though.
    • Review Anime The Right Way – An interesting panel run by some of the editors and writers at ANN, the now defunct Anime Insider, and other anime news outlets.
    • Sailor Moon’s Influence In Hentai – Not as exciting as it sounds. In fact, it was quite boring. Maybe if they showed more actual hentai rather than simply talking about it, it would have been more interesting.
    • FUNimation TBA Panel – Also not as exciting as it sounds. No new announcements, just some Q&A and they showed a premiere of the English dub of Nabari no Ou.
  • Concert:
    • MELL – She put on one hell of a show. One thing I especially notices was how wonderful the crowd was thoroughout the show. They were really encouraging to MELL and I think we all made her feel very welcome. MELL sang an array of songs, including her famous hit “Red fraction” from Black Lagoon.

      MELL rocking the stage

      MELL rocking the stage

  • Video Programming:
    • Evangelion 1.0: You Are (Not) Alone – Fail screening is fail. I went to the Saturday screening, where they had serious technical difficulties. The screen kept going blank and they had to stop the movie. They claimed they would get it back up running soon. I waited about 15 minutes, then left. Makes me wonder if Otakon even tested their equipment before the con started. Nonetheless, I’m sure FUNimation isn’t happy about what happened.
  • Autographs:
    • Crispin Freeman – Sadly, I never got a chance to get his autograph. He had two autograph sessions. For both of them, I showed up an hour early and for both of them, the line was enormous, despite me showing up so early. I had a lot of things for him to sign too.
    • Yutaka Yamamoto – I did manage to get his autograph, though for some reason he was only signing Kannagi DVDs at the session I went to. I had brought my Haruhi box, hoping he would sign that, and he wouldn’t. Also, the Kannagi DVD was a ripoff. Cost me $35, and I feel that the price was “conveniently” jacked up during the autograph session since others have claimed they got it for $25. Nonetheless, I did get an autograph out of it, so I feel it was worth it.

      Kannagi director Yutaka Yamamoto signing autographs

      Kannagi director Yutaka Yamamoto signing autographs

  • Con Swag:
    • Dealers Room – A great Dealers Room as always. I spent way too much. Details below…
    • Artist Alley – Some really talented artists showing off and selling their stuff. Some of the stuff I saw there was really good. I didn’t buy anything though.
  • Surroundings:
    • The Inner Harbor – A great place to eat and see some free entertainment.  Thursday night we all went to Edo Sushi and Friday night we went to ESPN Zone. That’s kind of an Otakon tradition for us now. Both are amazing restaurants. They’re pricey, but it’s worth it.

      We all had a great time at Edo Sushi

      We all had a great time at Edo Sushi

    • Other Areas – Baltimore has a big poverty problem. Everywhere you walk, some beggar is asking you for money. I also heard some crazy lady preaching the gospel very loudly on a city street.  -_-
  • Staff & Press Relations:
    • Otakon needs to treat their guests with more respect, especially their press guests. Despite the fact that I had a press badge, the staff gave me a hard time getting into several areas.
    • During the MELL concert, there was much confusion and ambiguity as to whether or not we could record the show. About 15 minutes before the show started, a very rude staff member explained to us that we were not able to record.
    • Twitter updates from the con staff were helpful, but I feel it could have been implemented better.
    • Overall, my experience with the Otakon staff was not pleasant. Otakon is always lacking in this department when compared to other cons.

Now for everyone’s favorite part… the “What I Wasted My Money On” section!

OVERHEAD

Admission – $55
Gas, Tolls, Parking – about $50
Food – about $40 (a friend paid for most of my food since he owes me money)
Hotel – $93

DEALERS ROOM

3 Toradora! statues: $220 (yes you read that right)
Toradora! art book: $37
5 Higurashi mini-figures: $70
Kannagi DVD: $35
Rozen Maiden Traumend DVD box set: $40
3 Evangelion statues: $36 (gotta love Sunday clearance!)
2 iDOLM@STER figures: $16

boxeshigurashi

AND THE GRAND TOTAL IS…

$692

Yeah. Needless to say, I won’t be buying anything expensive for a long time.

group_photo

To see all the photos I took at Otakon 2009, click here.

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